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Unlocking the Key to Perfect Selections and Amazing Photoshop Effects for Totally Realistic Composites
Compositing is one of the hottest trends in Photoshop and photography today for portrait photographers, designers of all walks of life, and even retouchers. Everywhere you look, from group photos, to school graduation or sports portraits, to magazines, movie posters, and DVD covers, chances are, you’ve seen compositing.
In Photoshop Compositing Secrets, Matt Kloskowski takes you through the entire process behind creating convincing, well-executed, and captivating composites. You’ll see how to create images that run the gamut from real-world portraits for corporate, graduation, or group photos to sports portraits, templates, and collages, and even the surreal, dramatic composites that clients clamor for.
You'll learn:
- One of the most important secrets to compositing: how to master selections in Photoshop (yes, even wispy hair),
- What background color, and camera and lighting setups work best for compositing,
- How to move a subject from one background to another, and the Photoshop lighting and shadowing techniques to make it look real,
- And all the Photoshop tips, tricks, and special effects you need to pull off a convincing, professional composite.
No matter if you're a professional, an aspiring professional, or a hobbyist, Photoshop Compositing Secrets will sharpen your skills and open up a whole new avenue of photographic expression in an easy-to-understand way that will have you creating your own composites in no time.
- Sales Rank: #98722 in Books
- Brand: Peach Pit Press
- Published on: 2011-08-08
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.09" h x .76" w x 8.00" l, 1.92 pounds
- Binding: Paperback
- 408 pages
Amazon.com Review
Amazon.com Exclusive: Bonus Content from Matt Kloskowski, Author of Photoshop Compositing Secrets
In the first part of the book, I walk you through ten things you need to know about compositing. Here are three of those things to get you started right away.
[Click Photo for Exclusive Content]
Which Comes First, the Background or the Subject?
Don't Kill Yourself on a Selection if the Detail Isn't Important Darken the Feet
From the Back Cover
About the Author
Matt Kloskowski is the Education and Curriculum Developer for the National Association of Photoshop Professionals. He has published numerous books on Photoshop and is the author of the Lightroom Killer Tips blog. In addition to being an Adobe Certified Expert in Photoshop and an accomplished photographer, Matt is a regular contributor to Photoshop User magazine, a speaker at the Photoshop World Conference & Expo, and the co-host of two popular videocasts, Photoshop User TV and The Grid.
Most helpful customer reviews
149 of 160 people found the following review helpful.
For Studio Photographers, NOT outdoor photographers
By John Haldane
I received my book yesterday and quickly sat down to devour it. The first chapter was good for compositing techniques and covered ways Adobe Photoshop CS5 and three different add-on software products (costing from $49 - $199 each in addition to Photoshop) could improve the results of your efforts.
The rest of the book involved descriptions of various composite photos including single image used as background and main photo, series composites of individual shots or action shots, and various was to make cool backgrounds pop. It was all very interesting but in each case (except for a single use of football players in action that was not covered in any detail), the emphasis was on how to light figures in your studio, how many lights, what color backdrop, etc. Chapters on HS Portraits, family pics, advertisements, office pics, etc. all required shooting the individuals in a studio.
I shoot animals in nature and sometimes the background is better changed because of cars, man made structures, or other intrusions. I do not have the luxury of creating lighting and poses just as I want them. Hence, I was greatly disappointed in this book.
If you have a studio and want to composite studio shots, the book is a great tool! It is well written and descriptive.
If you do not have a studio, don't buy the book. The description does say "portrait photographers, designers of all walks of life, and even retouchers" but I didn't read "studio photogs only" in that. My bad; don't let it be yours.
I am giving 4 stars because it is well done, but not for all photographers.
118 of 127 people found the following review helpful.
Not much help if you shoot outdoors
By Jack Winter
Matt is a great teacher and there's lots of good stuff in this book, but be warned. If you think it's about pulling folks out of your back yard photos and putting them someplace else, you'll be disappointed. The majority of this book is about how to set up and light your subjects in a studio against a seamless background so they'll look right when you mask them out and put them into another shot. This is all good information for folks with studios and multiple lights, planning in advance to composite the shot.
I was hoping to get a lot more information on masking, and maybe some on color and temperature balance so things looked real. Instead I got "Plan ahead, write down the focal length, f-stop and distance from your subject, then set your camera the same when shooting the background; note the spot where your subject would be if he was actually there, then back your camera off the same distance you shot from in the studio. In my amateur world, it'd be a lot easier to just transport the subject to the location and take one shot.
The book was definitely NOT a waste of money, and I got several good things from it. There were good tips on masking, but masking from a seamless background is not that hard. I'm an amateur with one removable flash, two reflectors, and no studio, I don't get paid for my work, I just wanna have fun in my hobby. I could have got everything of interest to me in far fewer chapters. This book is more for professional photographers and graphic designers.
27 of 28 people found the following review helpful.
Fabulous reference book
By Tenna Merchent
I love this book. Combining images, and making it look believable is hard, tedious work. In this book Matt Kloskowski lays out exactly how he does it, and actually makes it sound easy, hopefully I'll get to the point where it is.
Some of it was familiar from watching Photoshop User TV, but much of it was new. In one example he explained how he kept track (on his phone) his lens, and focal length, distance from the subject, and how high the camera was from the ground when he photographed his main subject. He then replicated all of this when he photographed the background so the subject would look right when put in that atmosphere.
He covers the shadows (super important to making it look real), the filters, the clipping masks, layer blend modes, and a couple of ways to get rid of that nasty fringe quickly to name just a few of his helpful tips. This is a book that I will keep right next to my computer and refer to any time I am doing a composite.
If you like this book, I also recommend his earlier book Layers: The Complete Guide to Photoshop's Most Powerful Feature (2nd Edition) which was absolutely wonderful!
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