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Dragonvein: Book Two, by Brian D. Anderson
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With new friends and allies fighting by his side, Ethan Dragonvein must find a way to overcome the might of the Eternal Emperor Shinzan. As the voices of the dragons call to him, he is driven to seek them out in the faint hope that they can help him fulfill his destiny and save the people of Lumnia. But he must hurry. Shinzan has not been idle and moves swiftly to crush this fledgling mage before he can become a challenge to his power.
- Sales Rank: #1072 in Audible
- Published on: 2015-10-20
- Released on: 2015-10-20
- Format: Unabridged
- Original language: English
- Running time: 715 minutes
Most helpful customer reviews
13 of 16 people found the following review helpful.
is funny. The plot follows the predictability of most fantasy ...
By Kindle Customer
Brian Anderson has talent. It was clear with his first book of the series and is especially true here. He can paint pictures of the scene clearly, he can make me believe in the characters, his prose is clean and fluid and his humor, for the most part anyway, is funny. The plot follows the predictability of most fantasy novels, but this is o.k. It seems that the only way to make a novel of this genre "unpredictable" is to kill of main characters at random. Anderson also falls into the trap of "philosophizing" as if his characters contained true "wisdom." This is a common fallacy that fantasy writers fall in. There are betters ways to express one's opinion of morals and where we come from without explicitly saying them through character monologues. This is not why I read fantasy novels. There is a beautiful attempt to blend the modern and the fantasy into one. One can almost regret that the characters do not spend a lot more time exploring both.
In fact, I would be inclined to rate this book three to four stars if not for his poor use of vulgar language and terribly poor sense of sexual content. There are many books that have a good understanding of vulgarity. They use it in the context of the characters, it fits in the dialogue, and while the language is sharp by its nature, it does not stand out of place of the text. Anderson, at least in the world he has created here, fails to make an impressive enough context to fit it in. He seems like a child, who truly wishing to be that grown-up, is testing his experience with those things his parents have forbidden him to say with the same undesirable result.
This leads us to the sexual content. Yes, the main character is an 18 year old boy who is fighting to comprehend the urges of love and sexuality. However, is it really necessary to tell the audience that the character's "manhood" reacts the same way every time he is approached by a woman? Anderson does nothing to engage the imagination and so the scenes become contrived, forced, and uncomfortable (and not because the reader relates to the character's discomfort). There is a way to approach the situation in which the reader knows without a doubt how the character is reacting without ever needing to explicitly say it (and certainly not in the same way every time). Anderson writes a scene in which the main character stands and finds out that he is in an embarrassingly, compromised position. If the poor use of language had been omitted the audience would have the chance of not only feeling shocked, but share the in the embarrassment of the character. Anderson fails in this. Then there is the pestiferous main antagonist. The audience is already aware the of the twisted nature of Emperor. Considering what has been said on the contrived nature of sexuality in this novel, the reader is then faced with a very unhappy situation. Rape is a detestable thing and can invoke strong emotions in the readers. The level Anderson takes it was ridiculous. Rather than feeling for the people, woman and men, who are being terrorized in this way, the reader is left wondering if in fact the writer needs therapy. The reader will probably find his or herself skipping these scenes not because they are disgusted at the antagonist, but merely at the poor attempt at writing and their disgust at Anderson. If these scenes are sparse, the issue would be not important. But alas, I am compelled to spill ink on the issue.
This is not a great novel. If not for the poor attempts of being "grown-up" the I would easily recommend the novel for light reading. The structure is fluent and the language easy to follow. However, considering its content I cannot. I hope Anderson is able to fix this error in judgement in the future. He has the potential for great works.
8 of 10 people found the following review helpful.
Such a shame. The story had so much potential ...
By Hinaya
Such a shame. The story had so much potential but for some reason the author felt compelled to add forced romance and a few corny scenes that reaĺly don't fit. I wish he stuck true with the story and the adventure.
6 of 8 people found the following review helpful.
Not worth the time it took to read
By Kristin Donovan
I only read this because I needed the conclusion to the first book. Like the first book, the writing is terrible -- choppy and juvenile. The worst part was the "erotic" scenes, which were, by far, the most poorly written parts of the book. It's like the author has never seen a real woman or had a romantic encounter of any kind. Not only are they badly written, they do nothing to further the plot of the book or add any dimension to the story. The could have been left out entirely and the audience would have been the better for it. The story itself is predictable and falls squarely into the fantasy-hero trope. The plot has promise, but poor character development and simultaneously not enough detail (back-story, character stories) and too much detail (unnecessary side points, character 'reflection') makes this a slow, boring read.
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